Penguins Bite BMX Promo

3 replies [Last post]
MattyW
Offline
Joined: Sep 8 2009

Just thought I'd post up my recent piece of work as I'm new to the forum. The video is a trailer for a video I want to produce which is based around the BMX scene in Yorkshire. Any tips would be great. This was shot on a cheap sony handycam which I am hopefully upgrading very soon. You will see where the name comes from in the video!
http://vimeo.com/5929346

johnd
Offline
Joined: Mar 8 2009

Hi Matt,
welcome to the forum. I note your comment about the camcorder used and would suggest making the move to a better machine as your footage isn't coming over as particularly punchy. I think you are on the right track with the use of wide angle and have looked at a similar approach on vimeo http://vimeo.com/2441567 I know it's skateboarding but I think a lot of the ideas could apply (tracking with the bike and shooting some shots with the camera in a dangerous position - ideally unmanned!)
Your use of the mock flashframes effect outstays it's welcome and becomes annoying. Like all effects, use sparingly.
One approach I notice on other people's efforts is fluid slo-mo and this subject suits this technique very well.
Keep at it and I'm sure you'll find the results will improve (someone famously said " the more I practice, the luckier I get"),
John

MattyW
Offline
Joined: Sep 8 2009

Cheers John.
The camcorder I have is complete tosh however I should hopefully have a VX2000 very soon. You advice about the tracking shots is something that I particularly would like to focus on as it is one area I would like to work on. Any secrets to this?
I think I went a bit crazy with the mock flashframes and have defiantly learnt from this as it can give an almost tacky look.
The slow-mo's I wasn't particularly keen to mess around with as the image becomes almost jumpy due to the camera.
Thanks a lot for your advice and I shall take it on board
Mat

johnd
Offline
Joined: Mar 8 2009

Hi Matt,
the tracking may have to be done manually rather than using specific track equipment, I'm sure some of the other guys can offer advice on the specifics - especially having seen the results they have achieved covering weddings with camera steadying equipment. Keeping the camera view wide and superwide will help smooth out movement.
John